This is it. The last post. Thank you to all of you who have supported this project. It has been an extraordinary experience.

The book club will endure. Please expect to see that as the featured post each month.

This double disc various artists collection from U.K. label, Fruits de Mer Records, is a marathon of classic psychedelic covers.  The carefully crafted gatefold cover houses two discs of green colored vinyl (in two shades no less).  The artwork throughout is intentionally tongue in cheek (in that special British way) and evocative of the 60s psychedelic style.

But really this review is about the music and as mentioned above there is a lot of it here. First, let’s explain what it is. Although it is a record of covers, all of them have been specially selected to recreate the mood of a free form radio session of the late 1960s. The titans of psychedelia are covered here like Jefferson Airplane, John’s Children (Marc Bolan), and Nazz (Todd Rundgren) but selections from artists better known for their pop ventures represent their psychedelic side here too – The Beatles, The Byrds, and Pink Floyd. Assembled in one collection the selections offer a variety of familiarity and discovery.

Many of the performing artists are not necessarily names you might know unless you are a devotee of revivalist psychelia, but that does not mean that there are not some stand out performances. We’re long-time fans of Atlanta’s own Seventh Ring of Saturn and their rendition of “Ten Thousand Words in a Cardboard Box” by the Aquarian Age is a standout. Bandleader Ted Selke has a special gift with his ability to deliver gentle vocal lines with a crispness and clarity that doesn’t get lost in the swirling mix. The flip side of disc one introduced us to the bands Gemini and The Godz as ably performed by Zombies of the Stratosphere and Hills Have Riffs.

The highlight of the double record set is side four. A thumping reworking of Jefferson Airplane’s legendary “White Rabbit” leads the side that includes the best music offered here. Again, the crossroads of familiarity and discovery are in full effect here. Tomorrow’s big hit “Revolution” is treated gently but with plenty of reverb by Sky Picnic. I might not be entirely sold on Langor’s cover of “Rain” it is nice to hear somebody take on this personal favorite from the Lennon/McCarney cannon. The record ends with a delightfully wistful version of Traffic’s “Utterly Simple” which only begs the question why Dave Mason didn’t just stop writing songs when he was ahead.

All in all, Keep Off the Grass is a solid journey through the past by a number of contemporary artists who are intent on keeping this influential form alive.

Ten Thousand Words in a Cardboard Box – The Seventh Ring of Saturn

He may be alone on stage, he may be joined by a band. That question is still unanswered (because one quarter of his usual stage partners will be busy getting married). But in either event, May 9th will mark Richard’s return to the stage at the EARL. He will share the bill with D.C.’s alt-folk answer, Vandaveer. Not to be missed.

By Alex Brenner

How many punk bands can say they are from Scranton, PA? Two A-Listers here can tell you not many. Although this band has been around since 2006, I really only heard their name while checking last year’s Gaslight Anthem album American Slang. Their last release 2010′s Chamberlain Waits was really a great introduction to the Menzinger’s strong songwriting and ferocious energy. That album has been on a constant rotation for the last six months. So what is it about this band that sets them apart from every other pop punk band? Well that’s pretty simple, these guys can channel the Replacements and Jawbreaker within one song. Their songwriting is so focused and tight. The combination of the dual vocals of Greg Barnett and Tom May really adds texture and of course I’m a sucker for gang vocals.

On the Impossible Past is the band’s first release on Epitaph Records. Like the Replacements before them, this record moves a little bit away from the punk and more towards a more personal songwriting style like the Westerberg shift from Stink to Let it Be. Fear not this album will still rock your face off. The one two punch of “Good Things” and Burn after Writing” is a great set up for the more mid-tempo numbers that follow. Any band that ends a song screaming “Walk home single seeing double” gets my vote any day. This band is really worth checking out. I’ve even gone back and bought their amazing 2009 E.P. Hold on Dodge. For those of you that are tired of this anti-rock trend that seems to dominate most of today’s music scene (Bon Iver, Lana Del Rey, Beach House) you need to get this record and put an end to this madness!

Shake up on the way…